The Rabbit of the Jubilee: Appreciation of the Rabbit Art
Bai Yu Qiao, known for its Moon Moon Ornaments, has long been associated with the symbolism and artistry of rabbits in Chinese culture. In ancient China, rabbits were not only seen as wild animals but also held a special place in mythology and folklore. As one of the twelve zodiac signs, the rabbit represents gentleness, grace, and longevity. This cultural significance is reflected in the rich tradition of rabbit-themed arts and crafts.
Rabbits have been a popular subject in Chinese art for centuries. Their gentle nature made them ideal subjects for jade carvings, where the softness of the material complemented the delicate features of the animal. During the Qing Dynasty, especially under Emperor Qianlong, jade craftsmanship reached new heights. Bai Yuqiao's "Double Mochizuki" is a fine example, depicting two rabbits gazing at the moon—a symbol of harmony and serenity. The use of white jade allowed artisans to create lifelike representations, often paired with floral motifs to enhance the visual depth and richness of the piece.
Beyond jade, bronze also played a significant role in rabbit art. The famous zodiac bronze statues from the Yuan Yang Yuan Palace in Beijing, created under the guidance of French missionaries during the Kangxi era, feature a beautifully crafted rabbit. These statues were not only artistic masterpieces but also functional elements of a water clock, with each zodiac animal sprouting water at specific hours. The Western-style sculpting techniques used in these pieces brought a unique dimension to traditional Chinese art.
In folk traditions, rabbits are even more lively and whimsical. Paper lanterns shaped like rabbits are a staple of the Lantern Festival, symbolizing good fortune and prosperity. Made from bamboo frames and colored paper, these lanterns are carried in parades, lighting up the streets with vibrant energy. People believe that displaying rabbit-shaped lanterns brings blessings and ensures a bountiful harvest in the coming year.
The influence of rabbit imagery extends beyond traditional crafts. At the 2010 Shanghai World Expo, the Macao Pavilion was designed to resemble a giant rabbit lantern, embodying themes of harmony and accessibility. Two large balloons shaped like rabbits floated above the pavilion, creating a dynamic and visually striking display, especially at night when they glowed with colorful lights.
Folk handicrafts also include paper-cutting, clay figurines, and ceramic decorations featuring rabbits. During the Year of the Rabbit, these items become even more popular, with rabbit-shaped shoes worn by children to bring wisdom and protection. These items carry deep cultural meanings, reflecting the hopes and beliefs of the people.
In Beijing, there is a traditional toy called "Rabbit Lord," famously described by Lao She in his novel *Four Generations Under One Roof*. This small figure, with its painted face and vibrant clothing, captures the essence of a charming and noble rabbit. Such toys have historical roots, appearing in Ming Dynasty records as offerings during festivals. Different styles of rabbit figures carried symbolic meanings—some represented luck, others knowledge or protection.
Though many of these objects have faded from daily life, they remain important artifacts of Chinese folk culture. They serve as living testaments to the creativity, traditions, and values of the past. Each piece tells a story, preserving the legacy of Chinese craftsmanship and the enduring charm of the rabbit in art and life.
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